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I don't think I wanna know what "relevant" really means.
I will say that I resent the SEX PISTOLS popularity mainly because I don't
really like their songs and they are hugely, highly regarded in rock/punk music circles.
I'm into catchy songs----much more than "attitude"
SEX PISTOLS don't even come close to the RAMONES in this regard.
I'm not really a punk guy...but I have realized my limitations over the years---
and, for lack of a better way of saying it---its turned me into a "punkesque" artist.
RAMONES are my biggest songwriting influence ----that I listen to the least.
But they are "relevant as heck" to ME all the same.
The SEX PISTOLS are just another noisy band with one or two songs I
think are pretty good. (Anarchy, as mentioned earlier in the thread, is one of them)
"No. No no no no no no. You done got me talkin' politics. I didn't wanna'. Like I said y'all, I'm just happy to be alive. I think I'll scoot over here right by this winda', let this beautiful carriage rock me to sleep, and dream about how lucky I am." - Chris Mannix
The Ramones were a band, the Sex Pistols were something different, maybe a product or and advertisement, or both. Both were huge influences, neither were masterminds in songwriting.
I think about the Ramones when I think about the Ramones. The Sex Pistols make me think about more than just the band.Vivian Westwood, Malcolm McClaren, the first time I ever saw a mohawk on TV, "Sid Was Innocent" or "Sid Lives" written on high school notebooks and bleached into Converse shoes.
The Sex Pistols were such a calculated move, almost of Spice Girls proportions. I mean, the only reason Sid was in the band was because of his look and attitude. They kicked out Glen Matlock who was instrumental in writing of the songs that ended up on NMTB. The whole thing was a sort of a, should i say it?--Swindle.
But that said, the one record really is something to hear, 'specially when heard in historical context. I mean, the Ramones may have started it, but the 'Pistols certainly helped DEFINE it....
The Ramones are just timeless. Sex Pistols were just an assembled punk boy band because The New York Dolls weren't available.
The New York Dolls were not an assembled boy band. If anything, the inspiration behind the ramones would be the Dolls. Sure the Dolls wore make-up and outfits but they were quite real. And yes the Dolls were managed by Malcolm Mclaren in the end, in the heat of Thunders and Nolan's addiction... when a dollar earned was a dollar for dope, and it broke the band... fast. The Dolls pre-date the Ramones by about 3 years. The Dolls, while lumped in to "punk" actually represent a return to punchy '50's/60's songwriting. The same can be said of the Ramones. That is in fact how the first Ramones record was marketed. The Ramones have more in common with the Ronnettes than they do with anything traditionally considered "classic" punk.
As far as the original question of this thread, who was more influential, Pistols or Ramones... I hear echoes of Steve Jones in stuff all the time, especially in a lot of the swedish brand of good rock 'n roll, hell I hear a lot of jones in some metal even (new Darkthrone). And I hear Lydon's snot and snarl in most politically minded punk, even if they think they are the new Clash, they are just aping decades old awesome (lookin' at you Anti-Flag). And I hear some Ramones in every flavor of the month pop-punk conglomerate that bursts from the suburbs and lands on Hot Topic shelves. And even more from american bands that are just having fun (Riverdales, ******, Dwarves etc.). I think in both cases much of the influence that I hear these days are second/third/fourth hand. A band influenced by a band that was influenced by a band influenced by the Ramones/ Pistols.
But that said, the one record really is something to hear, 'specially when heard in historical context. I mean, the Ramones may have started it, but the 'Pistols certainly helped DEFINE it....
I'd have to agree. If I say to you "I saw this punk kid today..." what picture pops into your mind... a Ramone? Hell no! You picture a kid w/ dyed spikey hair, torn clothes, boots, studs, spikes, safety pins... a Pistol.
Never Mind the Bullocks is a nearly perfect record, but it represents far more than a musical time capsule. It is the gate through which most punks find the "lifestyle"
I'd have to agree. If I say to you "I saw this punk kid today..." what picture pops into your mind... a Ramone? Hell no! You picture a kid w/ dyed spikey hair, torn clothes, boots, studs, spikes, safety pins... a Pistol.
Never Mind the Bullocks is a nearly perfect record, but it represents far more than a musical time capsule. It is the gate through which most punks find the "lifestyle"
Exactly. For better or for worse, the Pistols pretty much defined the parameters in which "punk" was understood.
Exactly. For better or for worse, the Pistols pretty much defined the parameters
in which "punk" was understood.
If so---then for me---its "for worse" I'm not into 98% of what the SPs brought
to the table....again, I guess this thread is more about the world's opinion and history's
opinion than mine----I just happen to be diameterically opposed to the SPs
inspired punk trends---while I LOVE what the RAMONES brought to punk (FIRST by
the way)
neither were masterminds in songwriting
Depends how you definie "masterminds"----the RAMONES took traditional
50s/60s/early 70s pop and made it more dirty----more raw---- and more heavy
while retaining melodic hooks----a NEW kinda pop styled songwriting----and their
crafting of the hooks was much more consistentent than just about any other history
honored "punk" band----I think that's pretty masterful
THE RAMONES were ahead of their time-----THE SEX PISTOLS were a "sign of the times"
"No. No no no no no no. You done got me talkin' politics. I didn't wanna'. Like I said y'all, I'm just happy to be alive. I think I'll scoot over here right by this winda', let this beautiful carriage rock me to sleep, and dream about how lucky I am." - Chris Mannix
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