Well,
As most of you know, my first feature film "Hunter Prey", hits the streets domestically tomorrow, and in honor of the occasion, I'll be posting up a behind the scenes photo from the film every day this week. I wanted to give all my friends here at the mego museum a little insight into the world of making a low budget, independent feature, so in this very thread, every morning, I'll be posting up a candid snapshot from the film, with a little story and explanation behind it.
Let's start things off with the whale skeletons in Gonzaga Bay;

I remember this day (as I do them all) quite vividly. It was actually really, really windy and kind of cold that morning when we started shooting. By mid day, the wind died and the temperature came up enough to make us shed the jackets, but it didn't get too hot. It was by far, the most comfortable day, temp wise, we had. This particular photo was taken while I was giving some direction to Damion Poitier (Centauri 7). He needed to walk through these whale skeletons, stop and pick something up, look up to the horizon, and then continue on his way... I think it captures the minimalism of the entire project... Notice how many people are in the shot.
That's first assistant camera, John Yonkondy to my right and boom operator, Alexandra Gallo behind Damion and I. Super proud of my cast and crew... All 18 of them. LOL!
Tune in tomorrow morning, for a photo that's a little hard on the eyes...
SC
As most of you know, my first feature film "Hunter Prey", hits the streets domestically tomorrow, and in honor of the occasion, I'll be posting up a behind the scenes photo from the film every day this week. I wanted to give all my friends here at the mego museum a little insight into the world of making a low budget, independent feature, so in this very thread, every morning, I'll be posting up a candid snapshot from the film, with a little story and explanation behind it.
Let's start things off with the whale skeletons in Gonzaga Bay;

I remember this day (as I do them all) quite vividly. It was actually really, really windy and kind of cold that morning when we started shooting. By mid day, the wind died and the temperature came up enough to make us shed the jackets, but it didn't get too hot. It was by far, the most comfortable day, temp wise, we had. This particular photo was taken while I was giving some direction to Damion Poitier (Centauri 7). He needed to walk through these whale skeletons, stop and pick something up, look up to the horizon, and then continue on his way... I think it captures the minimalism of the entire project... Notice how many people are in the shot.

Tune in tomorrow morning, for a photo that's a little hard on the eyes...
SC
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