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WGSH possible Superman loophole

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  • thunderbolt
    Hi Ernie!!!
    • Feb 15, 2004
    • 34211

    #16
    I doubt this will change anything except a few bank accounts. I really don't think Supes will be pulled from DC to show up at Dark Horse or Marvel.
    You must try to generate happiness within yourself. If you aren't happy in one place, chances are you won't be happy anyplace. -Ernie Banks

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    • jds1911a1
      Alan Scott is the best GL
      • Aug 8, 2007
      • 3556

      #17
      I agree with E2 chris and tx teach. While it is a shame that many creative forces behind comics greatest characters didn't get the payday their characters drove, S & S did sell their rights. Were they snookered by a greedy publisher yes was it wrong, morally probably but basically back that's what big buisiness does. The publisher bought a story for a price. Happens all the time and usauly a writer gets hosed on that first piece becuase they are an unproven commodity. In later stories if they have a hit they margin a better deal

      Siegel's hiers own the rights to the mythos of AC1 - blue suit, red cape Krypton, leaping tall buildings (NOT FLYING) Daily star (Not planet) the big S. They flex their legal muscles and Warner decides it's too expensive so they tweak out the things that are covered and reinvent the character - different suit (does anyone really want superman blue or the reign of the supermen characters) maybe a new name for the new era and a new identity (think spiderman when the clone took over). Would I like it NO but it could happen

      This bodes ill for many extentions of Dc's characters. and the odds of big S in the JL film or tom welling in the suit drop to zero

      Comment

      • johnmiic
        Adrift
        • Sep 6, 2002
        • 8427

        #18
        I don't know what to call this but it has been noted, by many sources, that S&S submitted the Superman concept repeadedly to newspaper syndicates and were turned down. There was even and instance where Will Eisner worked for a syndicate and rejected Superman on the basis that the art was not up to newspaper strip quality. So after many rejections they went to DC and were accepted but may not have been totally aware of the situation as far as rights. These guys were artists and writers but not legal experts and may have assumed working for a "comic book" was the same as working for a "comic strip" because comic books started as re-prints and collections of the daily strips. Could it be considered in their favor that they were rejected repeatedly, trying to get work in comic strips and then DC comes along and hires them but did not entirey divulge the differences in creators rights? I think ther has been some say on that misunderstanding in some Superman documentaries.

        Many things Superman were actually changed or invented for the radio show but a documentary that came out at the time of Superman Returns also stated that S&S created an evil, super-genius, bald superman in their own Sci-Fi anthology magazine before they created the super-hero known as Superman. This villain could be considered the precursor to Lex Luthor tho he was not named such. I think it's a great ruling but it comes too late. Certainly their families will get some pay but the creators are long gone.

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        • Earth 2 Chris
          Verbose Member
          • Mar 7, 2004
          • 32543

          #19
          It's not that I don't sympathise with S & S, I do. But they sought publishers for their Superman work, and were in fact, already working for DC at the time doing Slam Bradley, Dr. Occult, etc. DC wasn't this unknown big company that suddenly noticed a hot property and took advantage of their creators. Superman was rejected by every other publisher for a reason. It was so fantastical, no one besides S&S thought it would fly. Vin Sullivan took a chance on it, and it took off.

          As I said before, by all acounts S & S were well-paid employees of DC. I'm sure they regretted not being in control of Superman, but they shopped the property around to publishers and they went with the first one willing to print it. They apparently knew how special Superman could be as evidenced by Shuster drawing Supes hawking products on his drawing table even before Action #1 hit the stands. So if they knew this, why didn't they hold on to him until a better deal came along?

          I'm not saying DC treated them as good as they should. They didn't. But I don't think the boys were railroaded either.

          Chris
          sigpic

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          • drmego
            EMCE Toys
            • Jun 15, 2001
            • 2411

            #20
            The comedy is that Superman makes soooo much money that DC/Warners could have
            given S&S 1/2 of 1 percent of the annual revenue and they would have been set for
            several lifetimes.

            Instead they gave them the equivalant of a staffer's salary in 1977 for life - which
            inflation and medical bills ate up over the next twenty years.
            www.drmego.com
            www.megoman.com
            www.emcetoys.com

            Comment

            • AAAAA
              Permanent Member
              • Oct 28, 2005
              • 2505

              #21
              Its about time DC (TIME/WARNER-PP)owners got a taste of there own medicine.
              for 70 yuears they run ran rough shot over everyone.

              Comment

              • Earth 2 Chris
                Verbose Member
                • Mar 7, 2004
                • 32543

                #22
                Its about time DC (TIME/WARNER-PP)owners got a taste of there own medicine.
                for 70 yuears they run ran rough shot over everyone.
                Not everyone. Bob Kane was actually instructed to come up with a new character, like Superman. That sounds like work-for-hire to me. Somehow he managed to strike a lucrative deal that had him sitting pretty from then on. Sure, DC made billions more on Batman than Kane ever saw, but by all acounts he never suffered at all. And new evidence points to Batman being very little of his idea at all. Even less than was thought before. Bill Finger got the shaft, but Kane didn't.

                I think Siegel and Shuster would have been in a similar situation if they hadn't sued DC in the late 40s. Not saying they didn't deserve more of the pie, but that clearly was the point where Kane and S & S' stories diverged.

                Chris
                sigpic

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