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The Werewolf of London

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  • Earth 2 Chris
    Verbose Member
    • Mar 7, 2004
    • 32930

    The Werewolf of London

    Watched this again last night. Well, actually this was the first time I truly watched the whole movie. My previous DVD player had trouble with Universal's double-sided disk in those Legacy sets, and I had a hard time making it through the whole picture, missing snippets here and there. My newer Blu-Ray player worked just fine.

    I have mixed feelings on this one. I appreciate it's place in history as a precursor to The Wolfman, but it's a pretty uneven effort. Henry Hull does a nice job as Wilfred Glendon, but his character is a bit too stuffy to really care much for. I felt more sorry that his wife just pretty much dumps him for her ex-boyfriend the moment the guy walks on screen. She doesn't seem the least bit concerned about her husband's obviously troubled behavior, other than the fact it's interfering with her extra-marital activities.

    Obviously, the writers and director had James Whale-envy in this one, trying to fill the movie with interesting side characters...they didn't really succeed. The well-to-do aunts and grandmothers just took away from the main story, and man, there is a lot of unnecessary prattling on dialog-wise in this flick. The two old women who rent the room to Glendon are obviously rip-offs of Una O'Connor's character in "The Invisible Man", but they fail to provide any actual comic relief.

    It's a shame that Warner Oland's Dr. Yogami didn't get to fight it out with Hull in full werewolf makeup. A wolf-on-wolf fight would have made this entry much more memorable. I do think that the 2010 "Wolfman" remake borrowed a bit from this part of the plot.

    As for Hull's makeup, it's on record that Jack Pierce wanted a fully-realized werewolf ala his later Chane/Wolfman design, but the idea was nixed by others. Hull's makeup is effective, and in dimly-lit shots, the subtle beastly look is a bit disturbing, but overall, it's just a bit too restrained.

    The ending is somewhat frustrating, since poor Glendon gets shot, and his wife gets what she wants: the deck cleared so she can run off with her old boyfriend. I'm sure the intended moral was to appreciate what you have and not get so involved in your work/leave nature's mysteries alone, blah blah. But it comes across as just pretty unsatisfying.

    Chris
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  • enyawd72
    Maker of Monsters!
    • Oct 1, 2009
    • 7904

    #2
    I agree and disagree with some of your points...I didn't think Wilfred Glendon was a very good husband. He seemed cold, distant, and more married to his work than anything, so it's no wonder that Lisa was eager to rekindle her childhood romance. After all, her old beau was able to pick up on the fact she was unhappy, but her husband wasn't? I don't blame her a bit. This is the problem for me...Glendon comes off as kind of a jerk, making it hard to feel sorry for him. I do really love the science aspects, and the "moon ray" thing making the Marifasa plant bloom. It's certainly an interesting film, and a milestone in werewolf cinema.

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    • Earth 2 Chris
      Verbose Member
      • Mar 7, 2004
      • 32930

      #3
      ^Good points, but I think they should have given us a little more time with Glendon and Lisa before her old beau walks in. Had we seen her unhappiness first hand, it would have been less jarring for her to go googly-eyed for another man so quickly. As portrayed, they seem to have the typical fussy banter of many married couples in their first brief scene together. Having the boyfriend spell out her troubles makes it seem like they are just kind of finding an excuse to run off together, to me anywho.

      The moon ray bit does add a nice sci-fi aspect to the movie. Glendon even has a very early TV monitor! Too bad Larry Talbot never heard of that plant!

      Chris
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      • PNGwynne
        Master of Fowl Play
        • Jun 5, 2008
        • 19903

        #4
        It's very Jekyll & Hyde, but i do like it. Glendon is not very sympathetic--And if you read J&H, Jekyll isn't truly either.

        I do like the make-up, more so each time I watch it. The "pillers" transformation scene is great, IMO.
        WANTED: Dick Grayson SI trousers; gray AJ Mustang horse; vintage RC Batman (Bruce Wayne) head; minty Wolfman tights; mint Black Knight sword; minty Launcelot boots; Lion Rock (pale) Dracula & Mummy heads; Lion Rock Franky squared boots; Wayne Foundation blue furniture; Flash Gordon/Ming (10") unbroken holsters; CHiPs gloved arms; POTA T2 tan body; CTVT/vintage Friar Tuck robes, BBP TZ Burgess Meredith glasses.

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        • Earth 2 Chris
          Verbose Member
          • Mar 7, 2004
          • 32930

          #5
          ^Yes, it is very Jekyll and Hyde, for sure. Funny that Fredreic March's make-up was more beastly than Hull's.

          The transformation scenes are very nice, including the pillar one you mention, and the one where he begins to change in camera, again like March in Jekyll/Hyde.

          In fact, these transformation scenes are better than the actual ones seen in "The Wolfman". We never really see Larry change completely in the first movie...only change BACK after he is killed. The better transformations occur in "Frankenstein Meets the Wolfman".

          Chris
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          • PNGwynne
            Master of Fowl Play
            • Jun 5, 2008
            • 19903

            #6
            Originally posted by Earth 2 Chris
            ^Yes, it is very Jekyll and Hyde, for sure. Funny that Fredreic March's make-up was more beastly than Hull's.
            Yes, more anthropoid, with degerneration.
            WANTED: Dick Grayson SI trousers; gray AJ Mustang horse; vintage RC Batman (Bruce Wayne) head; minty Wolfman tights; mint Black Knight sword; minty Launcelot boots; Lion Rock (pale) Dracula & Mummy heads; Lion Rock Franky squared boots; Wayne Foundation blue furniture; Flash Gordon/Ming (10") unbroken holsters; CHiPs gloved arms; POTA T2 tan body; CTVT/vintage Friar Tuck robes, BBP TZ Burgess Meredith glasses.

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