Had I read the blurb pasted on the CD before I bought it, I probably wouldn't have bothered. "...Space Ace has out KISSed KISS. This may end up being the best KISS album KISS never recorded." Seems as desperate and pathetic to me as the old & tired "This is the best album we've done since Destroyer" schtick.
Listened to it twice through, and I'm not impressed. While some of the guitar work caught my ear, most of it seems repetitive to me...and the vocals? Ugh
To be fair though, I've never really appreciated Ace's vocal work. I like his voice on Rocket Ride, it works really well there, and I like it on a select few others like Rip It Out & Hard Times for example. Overall, not one song on this new album "grabs" me and makes me want to go back & hear it again.
While this CD does seem a touch more genuine than the synthetic Anomaly did, I'd still prefer to see what Ace can actually pull off live. Crafting an album with all the high tech wizardry at your disposal over the course of several years at your leisure is one thing, commanding the stage is something else altogether. For all the criticizing, complaining and self-promoting he's accomplished over the past 13 years or so, I'd like to see him actually get up on stage and pull off a series of shows, even if it's only in some really small clubs. That's what interests me.
For me, Ace was at his best when he played live and didn't give a damn about the microphone or what was happening around him. Way back when he would completely lose himself in his guitar and very rarely "check in" to take notice of everybody else around him. That is what defined Ace Frehley to me. That is what made him interesting and unique. Once he started chasing the spotlight he slowly began to lose that charm.
I'm not an Ace Fan. I'm not a Paul Fan. I'm not a Gene Fan. I'm not a Pete Fan. I'm not a Vinnie/Eric/Mark/Bruce/Eric/Tommy Fan. I'm a KISS fan. I've been on board since November 1975, through all the peaks and valleys, and I don't sing praises when I don't feel any are due.
I didn't hail Destroyer, Alive II, Double Platinum, any of the Solos (original or later attempts), Dynasty, Unmasked, The Elder, Crazy Nights, Hot In The Shade, Revenge, Alive III, Psycho Circus, Carnival of Souls, Sonic Boom or Monster as great works of art when they each arrived on the scene. Within most of those efforts, I did however, find several fun tunes that I considered "keepers". Once in a great while, I will listen to some of those albums from start to finish, generally though I go with my playlist faves.
Needless to say, nothing from this album (as with A$$hole, Frehley's Comet, Trouble Walkin', Anomaly, Out Of Control, Let Me Rock You, Cat #1, One For All) will make it into any of my playlists. (Only two from Live To Win have made the cut).
Sorry Ace...if you want to invade my ears...you'll have to hit the road.
Listened to it twice through, and I'm not impressed. While some of the guitar work caught my ear, most of it seems repetitive to me...and the vocals? Ugh

To be fair though, I've never really appreciated Ace's vocal work. I like his voice on Rocket Ride, it works really well there, and I like it on a select few others like Rip It Out & Hard Times for example. Overall, not one song on this new album "grabs" me and makes me want to go back & hear it again.
While this CD does seem a touch more genuine than the synthetic Anomaly did, I'd still prefer to see what Ace can actually pull off live. Crafting an album with all the high tech wizardry at your disposal over the course of several years at your leisure is one thing, commanding the stage is something else altogether. For all the criticizing, complaining and self-promoting he's accomplished over the past 13 years or so, I'd like to see him actually get up on stage and pull off a series of shows, even if it's only in some really small clubs. That's what interests me.
For me, Ace was at his best when he played live and didn't give a damn about the microphone or what was happening around him. Way back when he would completely lose himself in his guitar and very rarely "check in" to take notice of everybody else around him. That is what defined Ace Frehley to me. That is what made him interesting and unique. Once he started chasing the spotlight he slowly began to lose that charm.
I'm not an Ace Fan. I'm not a Paul Fan. I'm not a Gene Fan. I'm not a Pete Fan. I'm not a Vinnie/Eric/Mark/Bruce/Eric/Tommy Fan. I'm a KISS fan. I've been on board since November 1975, through all the peaks and valleys, and I don't sing praises when I don't feel any are due.
I didn't hail Destroyer, Alive II, Double Platinum, any of the Solos (original or later attempts), Dynasty, Unmasked, The Elder, Crazy Nights, Hot In The Shade, Revenge, Alive III, Psycho Circus, Carnival of Souls, Sonic Boom or Monster as great works of art when they each arrived on the scene. Within most of those efforts, I did however, find several fun tunes that I considered "keepers". Once in a great while, I will listen to some of those albums from start to finish, generally though I go with my playlist faves.
Needless to say, nothing from this album (as with A$$hole, Frehley's Comet, Trouble Walkin', Anomaly, Out Of Control, Let Me Rock You, Cat #1, One For All) will make it into any of my playlists. (Only two from Live To Win have made the cut).
Sorry Ace...if you want to invade my ears...you'll have to hit the road.
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