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How to paint an Ape: Part one

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  • enyawd72
    Maker of Monsters!
    • Oct 1, 2009
    • 7904

    How to paint an Ape: Part one

    I've been asked many times recently to share my technique for portrait painting so here goes...I'm currently working on General Ursus for the cover of Shadowland #7, and I'm going to give a nice step by step review of my process with photos. Hopefully any of you up and coming painters will find this info helpful. I use white nylon brushes...a couple different size flats, a few medium round, and a fine detail brush. I use only Folk Art brand acrylics these days, which come in 2 oz. bottles for about a buck fifty. They are really nice...thick, creamy, they blend really well, and dry fast. I also use canvas board, usually 11x14.
    The colors I'm using on Ursus are Light Fuschia, Terra Cotta, Brown, Violet Pansy, Titanium White, and Black. I'm using the fuschia and purple to supplant the colors of his gorilla uniform, which will be mostly unseen. You will also need a cup of water to clean your brushes, some paper towels, and I use coated paper plates for my palette.

    I start by sketching Ursus onto the canvas with a pencil. When I'm happy with the drawing, I seal it with a shot of Testors Dullcoat. This keeps the pencil from smudging while working, because I don't use an easel. I prefer to paint on a table. Usually when working with acrylics, you go from dark to light, but in this case, the fuschia color is semi transparent, so I basecoat the entire face with it, leaving the drawing showing through. I then add my darkest value, black, into the deep wrinkles and folds of his face. Once this is finished, I start building the colors up in layers, first black/brown, then brown, brown/terra cotta, terra cotta, etc. I break up the skin with some mottling by adding touches of gray and purple to the browns here and there, then go back in and add the finest highlights with my detail brush using my base colors mixed with titanium white. I'm careful not to paint over anywhere I want the fuschia to show through, as the transparent color will be very hard to lay down on top of the darker skin. You can see the finished result across the top of his brow from left to right.

    Last edited by enyawd72; Oct 9, '12, 9:06 AM.
  • Gorn Captain
    Invincible Ironing Man
    • Feb 28, 2008
    • 10549

    #2
    He...looks...awesome!!!!

    And thanks for the art lesson.
    I like to draw myself, though I'm nowhere near as good...
    .
    .
    .
    "When things are at their darkest, it's a brave man that can kick back and party."

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    • Earth 2 Chris
      Verbose Member
      • Mar 7, 2004
      • 32964

      #3
      Looking great already. It's always interesting to see how each artist works, as no two work exactly alike. Thanks for sharing!

      Chris
      sigpic

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      • mikeoz
        Mego Maker
        • Mar 9, 2007
        • 1436

        #4
        This'll be fun seeing the step-by-step progress of the painting. I'm impressed by how well you get the feeling of depth in your paintings. Those eye ridges are just incredible!
        Looking for:
        Lincoln Phantom of the Opera

        Comment

        • enyawd72
          Maker of Monsters!
          • Oct 1, 2009
          • 7904

          #5
          How to paint an Ape: Part two

          Before going any further with his face, I basecoat the area that will be hair with black. This will allow me to blend the face into the black and soften it a little. The black also really makes the colors stand out, and the hair will look fantastic when we get to it later. I painted his chin using the same method as his brow and cheek. Lastly, I added some sterling blue backlit highlights to the shadow side of his face. This pushes everything back a little farther and really makes the face pop.

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