Swamp Thing all the way.
Highlights include the original Lein/Wrightson run, The Alan Moore/Bissette/Totleben/Veitch/etc era, the Grant Morrison/Mark Millar/Phil Hester finale.
Honourable Mention: Brian Vaughn's run which followed Swamp Thing's daughter Tefe. A bold experiment which moved the concept forward in an interesting and compelling manner. Probably a bit too bold for an audience that wasn't prepared for such a radical departure.
Low Points... DC refusing to publish the conclusion to Vietch's run, and the recent revival which brought Swamp Thing back to his tired Swamp Monster Roots in a pointless retread (with the exception finally seeing Richard Corben drawing Swamp Thing).
As for Man Thing...
Steve Gerber wrote some really sharp scripts in the seventies and was certainly an innovator. Liam Sharps art was pretty impressive in the latest ongoing from a few years back.
Plus... the immortal title GIANT SIZED MAN THING.
Highlights include the original Lein/Wrightson run, The Alan Moore/Bissette/Totleben/Veitch/etc era, the Grant Morrison/Mark Millar/Phil Hester finale.
Honourable Mention: Brian Vaughn's run which followed Swamp Thing's daughter Tefe. A bold experiment which moved the concept forward in an interesting and compelling manner. Probably a bit too bold for an audience that wasn't prepared for such a radical departure.
Low Points... DC refusing to publish the conclusion to Vietch's run, and the recent revival which brought Swamp Thing back to his tired Swamp Monster Roots in a pointless retread (with the exception finally seeing Richard Corben drawing Swamp Thing).
As for Man Thing...
Steve Gerber wrote some really sharp scripts in the seventies and was certainly an innovator. Liam Sharps art was pretty impressive in the latest ongoing from a few years back.
Plus... the immortal title GIANT SIZED MAN THING.
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