Well, in the Superman comics of the mid-80s, Clark and Lana were getting really close. I'm not sure the creators would have ever made them THE couple, but they definitely were pushing toward that direction before the post-Crisis reboot. Which made it even more poignant in Alan Moore's "Whatever Happened to the Man of Tomorrow" when Lana overheard Superman tell Perry he would always love Lois more. Despite that, she went out and died to protect him. Powerful stuff!!!
Superman III and Returns actually have quite a bit in common. Both have some really strong moments, but the overall concept of the film is incredibly flawed in the context of the franchise, and nothing that the audience expected or was looking for.
You know, now that I think about it, Star Trek did a "light" film, Star Trek IV: The Voyage Home, after the heady stuff in the previous two films, only a few years after SIII. It was the highest grossing Trek film in history. BUT, it wasn't an out and out comedy for whole chunks of it AND the TV series also did it's fair share of light episodes...so maybe that's why it worked whereas Superman III did not.
I think the real reason the Trek "comedy" worked and Superman's didn't was that Superman's just wasn't funny...
Chris
Superman III and Returns actually have quite a bit in common. Both have some really strong moments, but the overall concept of the film is incredibly flawed in the context of the franchise, and nothing that the audience expected or was looking for.
You know, now that I think about it, Star Trek did a "light" film, Star Trek IV: The Voyage Home, after the heady stuff in the previous two films, only a few years after SIII. It was the highest grossing Trek film in history. BUT, it wasn't an out and out comedy for whole chunks of it AND the TV series also did it's fair share of light episodes...so maybe that's why it worked whereas Superman III did not.
I think the real reason the Trek "comedy" worked and Superman's didn't was that Superman's just wasn't funny...
Chris
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