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Rights to Superman sold for 130 bucks.

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  • SUP-Ronin
    Stuck in a laundry shoot.
    • Oct 8, 2007
    • 3146

    Rights to Superman sold for 130 bucks.

    When purchased from Jerome Siegel and Joe Shuster, back in the day, by Detective Comics. Talk about kicking yourself in the Arse.

    Now, the check itself sold for 160k.

    Here's a link to the article.

    BBC News - Cheque that bought Superman rights sold for super price
    "Steel-like jaws clacked away, each bite slashing flesh from my body - I used my knife and my hands, and when they were gone, my bloody stumps - and yet the turtles came."
  • The Toyroom
    The Packaging King
    • Dec 31, 2004
    • 16653

    #2
    Great Krypton!
    Think OUTSIDE the Box! For the BEST in Repro & Custom Packaging!

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    • Adam West
      Museum CPA
      • Apr 14, 2003
      • 6822

      #3
      I saw that the other day....I don't think they revealed the seller either. Someone who worked for D.C. comics that kept it after it was going to be pitched and kept it in a top drawer of his dresser for decades.
      "The farther we go, the more the ultimate explanation recedes from us, and all we have left is faith."
      ~Vaclav Hlavaty

      Comment

      • MegoSteve
        Superman's Pal
        • Jun 17, 2005
        • 4135

        #4
        Honestly, that seems really cheap to me compared to what Action #1 sells for.

        Comment

        • Earth 2 Chris
          Verbose Member
          • Mar 7, 2004
          • 32932

          #5
          I still don't understand why Siegel and Shuster sold Superman for $130 when they suspected he would be the hit he became. If they had no idea, I could understand it. But Shuster drew Superman promoting all sorts of products while they were shopping it around as a comic strip. And they had other work from DC at the time, so they weren't unemployed and THAT desperate.

          Chris
          sigpic

          Comment

          • huedell
            Museum Ball Eater
            • Dec 31, 2003
            • 11069

            #6
            Originally posted by Earth 2 Chris
            I still don't understand why Siegel and Shuster sold Superman for $130 when they suspected he would be the hit he became. If they had no idea, I could understand it. But Shuster drew Superman promoting all sorts of products while they were shopping it around as a comic strip. And they had other work from DC at the time, so they weren't unemployed and THAT desperate.
            Doesn't matter whether they were desperate or not.

            It was the 19 THIRTIES for cripes' sake

            Different era... different perceptions for intellectual property potential.
            "No. No no no no no no. You done got me talkin' politics. I didn't wanna'. Like I said y'all, I'm just happy to be alive. I think I'll scoot over here right by this winda', let this beautiful carriage rock me to sleep, and dream about how lucky I am." - Chris Mannix

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            • Earth 2 Chris
              Verbose Member
              • Mar 7, 2004
              • 32932

              #7
              ^Yeah, but they idolized the comic strip creators, and while none of them owned the strips or the characters, most of the creators of the great comic strips didn't seem to have the problems Siegel and Shuster had from the mid-40s on.

              Chris
              sigpic

              Comment

              • huedell
                Museum Ball Eater
                • Dec 31, 2003
                • 11069

                #8
                Originally posted by Earth 2 Chris
                ^Yeah, but they idolized the comic strip creators, and while none of them owned the strips or the characters, most of the creators of the great comic strips didn't seem to have the problems Siegel and Shuster had from the mid-40s on.

                Chris
                Are you saying that from AFTER the time SUPERMAN hit big,
                that the creators of the great comic strips didn't seem to have the problems
                Siegel and Shuster had?
                "No. No no no no no no. You done got me talkin' politics. I didn't wanna'. Like I said y'all, I'm just happy to be alive. I think I'll scoot over here right by this winda', let this beautiful carriage rock me to sleep, and dream about how lucky I am." - Chris Mannix

                Comment

                • Earth 2 Chris
                  Verbose Member
                  • Mar 7, 2004
                  • 32932

                  #9
                  Most of the great comic strip creators didn't end up in abject poverty like Siegel and Shuster...and they also didn't have such problems BEFORE. They must have signed some kind of contract that kept them in the red at some point. Bob Kane was a peer of Siegel and Shuster and never wanted for money. I'm saying Siegel and Shuster were apparently bad businessmen, despite their belief in their product.

                  Chris
                  sigpic

                  Comment

                  • Adam West
                    Museum CPA
                    • Apr 14, 2003
                    • 6822

                    #10
                    How about Kirby?
                    "The farther we go, the more the ultimate explanation recedes from us, and all we have left is faith."
                    ~Vaclav Hlavaty

                    Comment

                    • Earth 2 Chris
                      Verbose Member
                      • Mar 7, 2004
                      • 32932

                      #11
                      Kirby was by his own admission, not much of a business man.

                      While he didn't benefit from his creations as he should have, he wasn't totally blackballed by the industry like Siegel and Shuster were for years.

                      Chris
                      sigpic

                      Comment

                      • ctc
                        Fear the monkeybat!
                        • Aug 16, 2001
                        • 11183

                        #12
                        Hmmmm....

                        Comics back in the day were the red headed stepchildren of the comic strips. It's something I've never understood, but there it is. Comic strips were always portrayed as a respectable artform, comics the material of choice for lowbrows. Hence why Wertham's attack on comics led to outrage and self-censorship of comic books, but bad guys still dropped like flies in the Dick Tracy strip.

                        Don C.

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