At some point, I'm suspecting the factory mentality at Crossgen must have gotten to Greg Land (although how that can be when you've got George Perez in the same studio). I don't think there is anyone here who disputes Land's more recent stuff as pretty lazy... particularly when the character doesn't even look the same from panel to panel (I think his Maxim swipe file is well documented).
There was a time though before he drank the Koolaid down in florida or wherever Crossgen's offices were located, that he was doing some decent work launching the Birds of Prey ongoing series.

but at the end of the day, Land is the easy target. it's the Giants of the Photo Realism movement like Adams or Raymond, who actually made it work and created brilliant game-changing artwork using clear detailed photographic influence.
It's like taking on Expressionism... it's easy to go after Liefeld. Much harder to fault Mignola, who really makes it work despite a lack of anatomy (which isn't to say he does not compensate with structure). Or Kirby for that matter (who had a great deal of criticism in the late seventies early eighties, I think most folks forget that, but you only have to read the fan press of that period).
There was a time though before he drank the Koolaid down in florida or wherever Crossgen's offices were located, that he was doing some decent work launching the Birds of Prey ongoing series.

but at the end of the day, Land is the easy target. it's the Giants of the Photo Realism movement like Adams or Raymond, who actually made it work and created brilliant game-changing artwork using clear detailed photographic influence.
It's like taking on Expressionism... it's easy to go after Liefeld. Much harder to fault Mignola, who really makes it work despite a lack of anatomy (which isn't to say he does not compensate with structure). Or Kirby for that matter (who had a great deal of criticism in the late seventies early eighties, I think most folks forget that, but you only have to read the fan press of that period).
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