So;
It's been said that your tastes in stuff like comcis is the result of the time period in which you discovered them. I tend to agree, since when you debate the merits and drawbacks of different books there seems to be distinct trends. You'll hear older folks talking about how the CURRENT books are horrible, and there's no plot, and no draftsmanship, and they just don't get how THAT character should be written.... Just as you'll hear the young whippersnappers talk about how the old books were hackneyed, with stilted dialogue and two dimensional characters. And don't GET me started on the "art"....
So I'm looking to establish a sort of baseline; and see where everybody's at. (Mostly for the sake of future debates.) I'm hoping poeple will respond with their view, and I'm hoping those that do will explain their position. Too often the majority of a person's explanations is "understood." That is, the person offering it KNOWS they're right, and never quite explains to those of us who DON'T see things their way. (It's not a shot, people IN GENERAL are really bad at thinking through a different perspective.)
When I was a kid I didn't like superheroes. I read a lot of comics; mostly undergrounds (from my aunts and uncles,) MAD magazine, LOTS of European books, the Warren mags, Heavy metal.... It wasn't until University that I read any Marvel and Dc stuff, and that was 'cos I worked in a comic shop. So I feel lucky to have more of an overview of the whole mainstream comic thing. And I found:
-For DC books, my favourite time was the 60's. It was an era when ANYTHING could happen. Batman could fight intelligent dinosaurs from Saturn that had a ray which turned people into tiny gorillas.... and NOBODY would question this! Complete, unfettered imagination. There was a good variety of sotry too; serious, funny, weird....
-For Marvel I like the late 60's/early 70's. They still had a perchant for the weird, but Marvel was trying for a more.... plausible (given the setting) kind of story. So you had continuing plots, more characterization, but still that "what the hell?!?!?" approach to comics. Once you've comitted to doing a superhero comic the gloves are off: if being atom-bombed gives you muscles in the setting you've got a free hand for durned near anything. By the early 70's Marvel seems to have been toying with the idea of comics for an older crowd; something you could REALLY see in their horror comics.
-I think by the late 70's both companies were losing it. Superheroes had another upswing, but it seems to have been mostly in the realm of marketing, and that seems to have been aimed mostly at kids. So there was a sort of softening of the comics. Not neccessarily a dumbing down, but they definitely steered away from some of the stories they had been doing.
-Ironicly, most people I know saw the 80's as a boom period; but I think for Marvel and DC they were the beginning of the end. Both companies were going for a more "mature" audience with a lot of their books, and trying to make them more relevant to the times.... but I think by doing so they lost a lot of the imagination of the earlier comics. They seem to have developed a lot of self-consciousness over their material, and anything that even remotely smacked of "camp" was shunned. It seemed like this was the advent of the speculator as well....
-....and by the 90's the speculator was king. So we got "event" comics, multiple covers, "designer" comics (where fans would buy a book specificly 'cos a 'hot' artist was working on it. Writers didn't seem to matter too much at that time) and people hoarding books. For the superheroes there was also a sharp decline in the imagination levels of most of the books. Everyone had the same powers, everyone had simialr backgrounds, and most of the bad guys' plots were "find this guy and beat him up!" Eventually the spectators moved on, and the fans who were actually READING the books got shafted 'cos the companies would change them around every few months to better conform with whatever the current trend was.
-Which led to the 00's "non event" books. Declining sales as potential new fans (IE: kids) moved away from superhero books to Japanese and European comics. Although on the upside, the last few years have seen a few mainstream crews actually producing comics meant to be read. And when those kids reading the Japanese books grow up they're gonna make books of their own. Books that'll have plots, and characters, and consequence just like the comics they loved when they were kids. ('Course they'll all have big eyes and tons of speed lines too.)
So.... howzabout you folks?
Don C.
It's been said that your tastes in stuff like comcis is the result of the time period in which you discovered them. I tend to agree, since when you debate the merits and drawbacks of different books there seems to be distinct trends. You'll hear older folks talking about how the CURRENT books are horrible, and there's no plot, and no draftsmanship, and they just don't get how THAT character should be written.... Just as you'll hear the young whippersnappers talk about how the old books were hackneyed, with stilted dialogue and two dimensional characters. And don't GET me started on the "art"....
So I'm looking to establish a sort of baseline; and see where everybody's at. (Mostly for the sake of future debates.) I'm hoping poeple will respond with their view, and I'm hoping those that do will explain their position. Too often the majority of a person's explanations is "understood." That is, the person offering it KNOWS they're right, and never quite explains to those of us who DON'T see things their way. (It's not a shot, people IN GENERAL are really bad at thinking through a different perspective.)
When I was a kid I didn't like superheroes. I read a lot of comics; mostly undergrounds (from my aunts and uncles,) MAD magazine, LOTS of European books, the Warren mags, Heavy metal.... It wasn't until University that I read any Marvel and Dc stuff, and that was 'cos I worked in a comic shop. So I feel lucky to have more of an overview of the whole mainstream comic thing. And I found:
-For DC books, my favourite time was the 60's. It was an era when ANYTHING could happen. Batman could fight intelligent dinosaurs from Saturn that had a ray which turned people into tiny gorillas.... and NOBODY would question this! Complete, unfettered imagination. There was a good variety of sotry too; serious, funny, weird....
-For Marvel I like the late 60's/early 70's. They still had a perchant for the weird, but Marvel was trying for a more.... plausible (given the setting) kind of story. So you had continuing plots, more characterization, but still that "what the hell?!?!?" approach to comics. Once you've comitted to doing a superhero comic the gloves are off: if being atom-bombed gives you muscles in the setting you've got a free hand for durned near anything. By the early 70's Marvel seems to have been toying with the idea of comics for an older crowd; something you could REALLY see in their horror comics.
-I think by the late 70's both companies were losing it. Superheroes had another upswing, but it seems to have been mostly in the realm of marketing, and that seems to have been aimed mostly at kids. So there was a sort of softening of the comics. Not neccessarily a dumbing down, but they definitely steered away from some of the stories they had been doing.
-Ironicly, most people I know saw the 80's as a boom period; but I think for Marvel and DC they were the beginning of the end. Both companies were going for a more "mature" audience with a lot of their books, and trying to make them more relevant to the times.... but I think by doing so they lost a lot of the imagination of the earlier comics. They seem to have developed a lot of self-consciousness over their material, and anything that even remotely smacked of "camp" was shunned. It seemed like this was the advent of the speculator as well....
-....and by the 90's the speculator was king. So we got "event" comics, multiple covers, "designer" comics (where fans would buy a book specificly 'cos a 'hot' artist was working on it. Writers didn't seem to matter too much at that time) and people hoarding books. For the superheroes there was also a sharp decline in the imagination levels of most of the books. Everyone had the same powers, everyone had simialr backgrounds, and most of the bad guys' plots were "find this guy and beat him up!" Eventually the spectators moved on, and the fans who were actually READING the books got shafted 'cos the companies would change them around every few months to better conform with whatever the current trend was.
-Which led to the 00's "non event" books. Declining sales as potential new fans (IE: kids) moved away from superhero books to Japanese and European comics. Although on the upside, the last few years have seen a few mainstream crews actually producing comics meant to be read. And when those kids reading the Japanese books grow up they're gonna make books of their own. Books that'll have plots, and characters, and consequence just like the comics they loved when they were kids. ('Course they'll all have big eyes and tons of speed lines too.)
So.... howzabout you folks?
Don C.
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