Niiice I'm the same way with car keys.
Charlee was the first to sell volume. There were a lot of peeps making lots of figures they never sold, and other people making a few that they offered before quitting, but Charlee did numbers. I mean, my first full-on comic mego custom was an Etrigan I did 22 years ago now with brush on latex molds, but I didn't know anything or anyone, and I sure didn't take commissions.
Of course he didn't start producing out of a vacuum, so obviously he'd been toiling away on the hobby at a workbench somewhere before that.
I think the concept of casting modified body parts for new bucks was kind of a hobby revolution - a lot of people hadn't considered that, and I think it set him apart from the "I'm making a suit and head" guys. ...A Zephyr Team Boy of early customs if you will.
I find it interesting that he basically had the same end-product in mind as Tonner dolls is doing now. It was never my thing, but it was definitely art doll.
I never talked to Charlee, but the editors at the time at ToyFare told me that he could be tough to get a hold of, allegedly not buying into the whole e-mail phenomena. They did most of their contract stuff by snail mail. He was probably happy not to have to worry about it being flipped, even if the rate of pay was lower.
Charlee was the first to sell volume. There were a lot of peeps making lots of figures they never sold, and other people making a few that they offered before quitting, but Charlee did numbers. I mean, my first full-on comic mego custom was an Etrigan I did 22 years ago now with brush on latex molds, but I didn't know anything or anyone, and I sure didn't take commissions.
Of course he didn't start producing out of a vacuum, so obviously he'd been toiling away on the hobby at a workbench somewhere before that.
I think the concept of casting modified body parts for new bucks was kind of a hobby revolution - a lot of people hadn't considered that, and I think it set him apart from the "I'm making a suit and head" guys. ...A Zephyr Team Boy of early customs if you will.
I find it interesting that he basically had the same end-product in mind as Tonner dolls is doing now. It was never my thing, but it was definitely art doll.
I never talked to Charlee, but the editors at the time at ToyFare told me that he could be tough to get a hold of, allegedly not buying into the whole e-mail phenomena. They did most of their contract stuff by snail mail. He was probably happy not to have to worry about it being flipped, even if the rate of pay was lower.
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